The edited collection: pasts, present and future

I’m delighted to be able to announce that I now have a book bearing this title under contract with Cambridge University Press. It is part of a new series called Gatherings: short monographs on aspects of contemporary scholarly publishing. It should be published in 2019.

Image from Flickr (GoToVan), CC-BY

In recent years, the edited collection of essays has undergone a crisis as a form of scholarly publishing. Without fanfare or particular crisis event, the perception spread that publishing in such collections was less prestigious than in journals; that such chapters were less visible to readers, and less acceptable to those assessing a scholar’s work; and that publishers were in retreat from such volumes.

This volume sets out to explore the forms that the edited collection has taken in recent decades, the roots and shape of the present crisis (if it is indeed rightly so called), and the possible futures for the form.

It focusses on the humanities, and history in particular, while drawing also on publishing trends in theology and in musicology. It is also focussed particularly on the UK, but in comparitive context with other nations, particularly the United States.