Book review: The Oxford History of Anglicanism vol. IV (1910-present)

Jeremy Morris (ed.),
The Oxford History of Anglicanism, Volume IV. Global Western Anglicanism, c 1910-present
Oxford: OUP, 2017

My review of this recent volume appeared a few weeks back in Reading Religion, the review journal of the American Academy of Religion. It began:

What, precisely, is Anglicanism, that a history of it may be written? The several contributors to the recent Oxford Handbook of Anglican Studies (reviewed here) returned again and again to the means by which Anglican identity might be defined. For the writing of history, are there certain markers of Anglican thought and practice that might form the unit of analysis (“Anglicanism” as a system of ideas rather than an institution)? Is the history of Anglicanism in fact the history of the relationships between the autonomous and (largely) national provinces of which the Anglican Communion is composed, and the global institutions in which those relationships are partially embodied? Or, is the history of Anglicanism actually a set of parallel histories of individual churches in their local, national, and regional contexts? For the most part, the volume under review takes the last of these three approaches, while paying careful attention to the interactions between individual churches and larger trends in political and cultural history to which they all were required to respond.

The review then expounds the general argument of the volume, and then notes that it is focussed on Anglicans in the West: Great Britain and Ireland, North America, and Australasia, but:

There were of course other Anglicans than those of the West; readers will need to await a treatment of African and Asian Anglicanism in volume 5 of this series, due to appear in print in early 2018. The division between the two volumes is defensible — indeed, it is perhaps the best division that can be made if one must be made — but there are several occasions here where the dictates of the theme require the authors to trespass outside the scope of the volume. This is no great difficulty, but the volume is also let down in places in the execution of particular chapters. Many are fine examples of their type, in particular those by Avis, Grimley, Moyse, Snape, and Stockwell. Others are chaotically organized, with, in one case, a verbatim repeat of three sentences on consecutive pages. [One other chapter in particular is] poorly done, lacking analytical precision and awareness of context, and based on an inadequate range of sources. The geographical survey of North America is too concentrated on the US and on the period since 1970; that for Australasia loses all sense of thematic coherence in a chronological procession of events. More generally, Australia, New Zealand, and Canada feature less than does the US, which in turn is less prominent than Britain. English material also predominates over Scottish, Welsh, and Irish. This is understandable given the relative weights of the published literature on each country, but as one reads there is often a subtle slippage where an English example is made to do duty as a representative of the whole.

Overall, however, I thought that the volume as a whole is:

a valuable first synthetic account of Anglicanism in the West in a crucial period. Although surely priced beyond the means of most private readers, no serious library for history or theology will want to be without it. A question remains over the longevity which the book may expect, given the implicit intent of monumental series such as this that they may stand for a generation or more. Readers who take the volume as a whole may be struck, as this reviewer was, by the cumulative weight given to the issues that have so troubled Anglicans in the last two decades, human sexuality and the ordination of women. Perhaps unsurprisingly, this focus is most pronounced in some of the chapters written by those who are both historians and clergy. We will need to leave it to the reader of 2037 to determine whether these were really the most significant issues in world Anglicanism in the twentieth century when viewed from a greater distance.

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The silence of the archive. A review

[A review that appeared first in the LSE Review of Books.]

David Thomas, Simon Fowler and Valerie Johnson.
The Silence of the Archive.
Facet, 2017.

In the past two to three decades, the archival profession has been caught between two currents of cultural and technological change: simultaneous, largely unrelated, both apparently inexorable. Largely confined to the academy, but resonating beyond it, has been a radical scepticism about the stability of meaning in language resulting from the postmodern turn in historical thinking. Coupled with this epistemological scepticism has been a hermeneutic of suspicion of the power relations that are embedded in the creation, description and accessing of archival records. This has been bound up with the emergence of a wider politics of identity, and the assertion of the experience of marginalised groups as being equally worthy of documentation and study as those more ‘official’ voices that have traditionally dominated archives.

At much the same time, the transition from paper to digital in records management and archiving has presented the profession with challenges of exceptional scale and complexity, as laid out by David Thomas, former Director of Technology at the National Archives of the UK, in Chapter Three of this fascinating book. This transformation has fundamentally changed the ways in which live records are created and managed by organisations, with the significant added risk of mis-description as frontline staff are pressed into becoming their own archivists, and also of discontinuity in working IT systems such that data is lost or rendered uninterpretable. As these records pass to the archive, new and intractable challenges of scale come into play as archivists must select content for archiving and appraise it, presenting the difficulty of finding effective ways of describing these records and designing access systems that meet the needs of users.

For most working historians, much of the ferment of the discussion that these changes have prompted amongst archivists and theorists has been largely obscure; most of the literature that the authors (all three of them present or former TNA staff) synthesise here is to be found in the journals of the archival profession, into which historians rarely look. For those scholars whose only contact with archives is in the search room, this book will likely come as something of a revelation of just how far-ranging and radical some of that thought has been in the last ten years, and should be widely read for that reason alone. One might expect it also to find its way onto reading lists for introductory courses in the methods of archival research. It is therefore a matter for regret that the book, even in paperback form, is priced at a level that makes it unlikely that it will find its way into many private collections.

As a whole, the book has two major themes, one of which is acknowledged by both the title and the back cover, and another, equally if not more important, which is everywhere implied but rarely stated (to which this review returns below). Firstly, the theme of the title: the silence of the archive. The authors, along with Anne J. Gilliland in the foreword, identify an image that has formed in the public imaginary of the archive as a comprehensive repository of all known facts about the past. Scholars will differ on how potent and pervasive that image is, but the authors set out to show firstly that archives are neither comprehensive in this sense nor purely objective, even supposing such a state were possible.

Chapter One, by Simon Fowler, deals with ‘enforced silences’, whereby organisations conceal, amend or destroy records before they reach the archive, or where (as an unintended consequence of freedom of information legislation) records are never created as business is transacted informally. All manner of decisions are then made as the archivist selects which records should be preserved, appraises those records that are selected and removes material in the process, and then catalogues records in ways that bring certain aspects of a record to the fore while effectively silencing other voices. In addition, neither the transient quality of everyday life nor the lives of the majority of the population often come under the gaze of the state and so leave few traces (Chapter Six by Valerie Johnson is instructive on the ways in which marginalised communities may be intentionally brought into view and their stories documented as a result.)

Professional historians are of course accustomed to engaging critically with the ways in which their archival sources come into being, but they will benefit nonetheless from this wide-ranging survey of the particular issues. In several places, however, a strangely critical note is struck: a suppressed frustration with the users of archives and their apparent inability to understand the issues. In Chapter Two, ‘Inappropriate Expectations’, Fowler quotes the historian Nicholas Rodger on the distaste of staff of the Public Record Office when asked to provide subject indexes: to do so ‘would imply that the Office had a duty to provide something the public wanted, instead of the public having a duty to shift for itself and leave the archivists in peace’ (54).

While this whole book is a testament to how far those kinds of attitudes have been eclipsed, glimpses occasionally show through. Archivists, we are told on page 45, are familiar with being ‘bombarded’ with questions which cannot be answered, by users who ‘struggle to understand’ the issues (60). Johnson writes (after Lisa Jardine) of the ‘longing of historians and researchers to find that golden key which will unlock the secret they are investigating’, which in some cases leads to false assumptions about evidence that does not in fact exist and (at the extreme) to the sorts of conspiracy theorising, fictionalisation and fabrication that Thomas explores in Chapter Five. Whilst some researchers can and do cross this line, the experience of this reviewer, at least, is that such cases are rare, and are perhaps overstressed here. Most historians are able to control their longing. That said, archive users, for their part, have no doubt been guilty of failing to appreciate the role of the archivist as something more than a mere fetcher and carrier of files as Johnson notes (146): there is work to do perhaps on both sides of the relationship.

To a certain extent, the book is let down by its title and chapter headings, since the focus on what is not possible obscures a more hopeful and arguably more important thread which appears explicitly only on page 141. Johnson asks where the responsibility for the documentation of society lies, and answers: ‘it has been the implicit argument of this book that we are all responsible, whether as creators of records or professional curators of those papers, or as users, researchers, historians and informed citizens.’ At this point, this reviewer must declare an interest, as one working to facilitate precisely this better working between archives and the users of their digital services.

Nonetheless, The Silence of the Archive is throughout a call for a new relationship between archivists, the ‘archival subjects’ (those whose lives are documented) and those who use the archived record. Johnson writes of the process whereby those archival subjects are engaged in the process of creating the archive of their existence, thus becoming co-creators with the archivist (149-53). Thomas points out the acute need in a digital archive for close engagement with end users, both in the selection of material and in the design of the interfaces that make those records first discoverable and then usable (70-72). It is a shame, then, that this call for change – necessary and urgent – is somewhat muted here; indeed, in general, the authors have a tendency to quote and expound the work of others rather than elaborate an argument, and could have been bolder. However, it is a case that should be widely heard. Records managers, archivists, historians and other users of archives should read this timely and important book.

What is Anglicanism? A review essay

[This is an extended version of a review that appeared in Reading Religion, the review journal of the American Academy of Religion.]

Mark D. Chapman, Sathianathan Clarke, Martyn Percy (eds)
The Oxford Handbook of Anglican Studies
Oxford, OUP, 2016
ISBN:978-0-19-921856-1
Hardback, xiv + 657 pp

As the editors of The Oxford Handbook of Anglican Studies point out, the Anglican churches can draw on none of the kinds of criteria by which other Christian churches define themselves. In the case of Roman Catholicism, the model is juridical, the product of the authority of an institution; for Lutherans, it is confessional, the adoption of certain key statements of doctrine; for Baptists, it is sacramental practice. As a result, many studies such as those by Wolf, Booty and Thomas (1982), or Sykes and Booty (1988) have circled around the issue of how else Anglicanism may be defined.

The discipline of Anglican Studies has only been named in the last two decades, however, and at a time when the tensions within the Anglican Communion have reached a particular pitch. Launching the new Journal of Anglican Studies in 2003, Bruce Kaye (also a contributor here) wrote of ‘the challenge of construing the connecting profile of Anglicanism in its global form’, as parts of the Communion looked for solutions in global organizations within the existing structure predicated on particular convictions about theology and practice. These divisions came to a head at (or perhaps alongside) the Lambeth Conference of 2008, when a body of bishops absented themselves to meet separately in Jerusalem; so significant were the tensions, in fact, that the editors questioned the very viability of the Handbook (15). It is a cause for celebration that they persisted. Taken together, the 44 essays presented here are a rich and suggestive meditation on the past, present and likely futures of Anglicanism, and will be read with profit by scholar and non-specialist reader alike.

One of the signal virtues of the volume is its global scope. In 1988, all but one of the contributors to Sykes and Booty’s The Study of Anglicanism were from the British Isles or North America (the last being based in Switzerland); here, while the balance is still tipped in that direction, there is weighty representation from Africa, Australasia and Asia. Almost every contribution is at some level concerned with the legacy of establishment in England or the complex renegotiation required elsewhere in a post-colonial context. There are some omissions, however, most strikingly of the Anglican experience in Scotland, Ireland and Wales, two of which were churches that were first established and then disestablished: a perspective which it would have been valuable to hear.

Editors of volumes such as this are often hard put to create a structure that neatly compartmentalises the issues at hand, and this is no exception. Whilst the seven sections (on historiographies, methods and styles, contextualisation, identities, controversies, practices, and futures) provide some orientation, readers seeking the Anglican view of (say) the interpretation of the Bible will find work of interest in each of the sections and not simply the chapters by Gerald O. West and A. Katharine Grieb, the titles of which address the issue directly. A small but significant group of authors have not helped the editors in the task of achieving coherence by writing chapters that are not so much synoptic surveys of a particular topic as new work on a particular aspect of it: fine work in some cases, but an uncomfortable fit with the purposes of the volume. Others allow their focus on Anglicanism to waver, and needed a firmer editorial hand. Few readers will wish to read the volume from beginning to end (as this reviewer did), an experience which induces a sense of a continual and at times slightly fretful circling around the same two issues: past and present identity, and the prospects for unity.

Might that unity be found by means to a recourse to a shared history? The editors rightly place a fine essay by Alec Ryrie at the very beginning, in which many of the misreadings of the sixteenth century history of the Church of England are neatly dissected. The formation of ‘Anglicanism’, as a distinctive set of attitudes and theological methods, dates from a hundred years after the foundation of the Church of England, in which process figures such as Richard Hooker – marginal in his day – were moved to the centre, and figures such as William Perkins or Thomas Cartwright were marginalised despite being highly influential at the time. (That some readers may need to look these two figures up is an indication of how occluded they have become; neither appears anywhere else in this volume, and Perkins is re-christened Thomas in the index). Evangelicals and Anglo-Catholics have disagreed profoundly over the early years of the Church of England, which makes the appeal to a normative past a problematic one to make.

Take for instance the issue of episcopacy. Ryrie again shows that although the Church of England was founded as an episcopal church, views differed widely as to the precise importance of the fact. Was episcopacy of the essence of the church, without which it could not exist (the position which several Anglo-Catholics have taken)? It was this principle that derailed the single most significant ecumenical scheme of the twentieth century in England, to reunify Anglicans and Methodists. Or, was episcopacy merely a convenient model of organisation, symbolically useful even, but something without which under different circumstances the Church might live? Chapters from Mark Chapman on missionary bishops, Kevin Ward on mission and Robert Bruce Mullin on the church in colonial America all show that, as a matter of historical fact, Anglicans have at times managed quite well without a fully fledged episcopal system. But other chapters make what is a common rhetorical slide from the historical to the normative, in this as in other matters. To paraphrase: ‘many Anglicans in the past have done some particular thing, and I (for reasons of theology) think that was right; these others who now do not do this are therefore not fully Anglican.’

Anglicans, then, have needed to look elsewhere for means of defining themselves, which have tended to cluster around elements of practice and habits of mind. The editors list a few of them: ‘hymns, poetry, prose, theology and spirituality’ (9-10), a ‘distinctive ethos’ which matches the many older attempts to find the ‘spirit’ of Anglicanism. Three chapters address these directly: Ann Loades on spirituality, Phyllis Tickle on prayer and the late Kenneth Stevenson (former bishop of Portsmouth) on aesthetics. Loades is detailed where Stevenson is allusive, but this reader emerges with a sense that Anglicans at certain times and places have indeed produced distinctive spiritual theology, hymnody and liturgy, but that these are weak markers of identity and of little use as instruments of unity. It is hard to avoid the impression that the search for identity in these places risks merely reifying the tastes and habits of mind of educated western Anglophones.

Anglicans have of course for a long time focussed on the ‘holy trinity’ of scripture, reason and tradition: a kind of self-definition by method. Formed of urgent necessity during the Reformation as a way of carving out space between the overweening pretensions of Rome and the bracing scripturalism of Geneva, in times of lesser pressure it became a rather more comforting formulation. Socially and economically secure as the established church of an imperial nation, it was relatively easy to rest on the idea of the Anglican via media, the essential moderateness of the English religious temperament. But the existential challenges to the very existence of the Communion in the last decade have caused this focus on theological approach to take on a rather darker tone. The question might be put: whose reason? Whose tradition? Whose reading of Scripture? As these questions have become harder to answer in a global context, the distinctive Anglican way of doing church has taken on a less confident and rather more provisional aspect.

Two aspects of this move are visible in the essays by Marion Grau and Jenny Gaffin. For Grau, Anglicanism as it has been transferred from England into colonial contexts can be thought of as a modus operandi, a rather accidental kind of pragmatism that over time became elevated to a virtue (177-8). Inculturation, the process by which theology and practice are inflected by local context, is made possible by a reliance on ‘a prevenient grace [and] an anthropology and ecclesiology that trusts in the residing of Spirit and Divinity within human existence’ (181). God has given His people sufficient resources with which to chart their path, and the action of God and his Spirit will not in the last instance allow the church to founder. Balancing this optimism is a line of thought that connects Gaffin to some of the recent work of Rowan Williams and (further back) to the Michael Ramsey of The Gospel and the Catholic Church (quoted by the editors in their introduction). The witness of Anglicanism is in pointing away from itself towards the larger church of which it is but a fragment: in Ramsey’s words ‘its credentials are its incompleteness, with the tension and travail of its soul. It is clumsy and untidy, it baffles neatness and logic.’ Its very brokenness is its witness.(14) In an age which values competence and ‘message discipline’, and seizes on weakness and holds it up to ridicule, the state of the Anglican Communion is both an affront and a challenge. Perhaps in the final instance the Communion is held together by a sense of a shared past, and an act of the will – a choice that must constantly be made anew – to continue together. The editors and contributors of this stimulating and fascinating handbook have given us a resource to help in the task of studying Anglicanism as its adherents have made and continue to make that choice. Though the price may stretch the budgets of private readers, no serious library for theology or history should be without it.

Technologies of Religion: a review

[The version of record of this review appeared in the journal Internet Histories  ]

Sam Han
Technologies of religion. Spheres of the sacred in a post-secular modernity
Abingdon, Routledge, 2016
ISBN:978-1-138-85586-1

Technologies of Religion, by Sam Han of the Nanyang Technological University in Singapore, offers both more and less than the description from its publisher would appear to indicate. Its main impact is as a work of critical social theory, and specifically concerning the cosmogonical, or ‘world-making’ qualities of contemporary religion as it meets new (and in particular, digital) technologies. Han is concerned to show that new technologies and religion come together to form ‘spheres’ (or ‘worlds’), that no longer correspond to the categories of the classical sociology of religion as associated with Durkheim or Max Weber. Gone is much of the stability and hierarchical longevity associated with authoritative institutions; Han’s spheres are in constant flux, unbounded, networked. These ‘modular assemblages’ have a kind of promiscuity, as different worlds or spheres form network connections with others, across which certain elements (traditionally separate) may ‘resonate’ according to their ‘affinities’ (p.30).

In a short review it is difficult to fully sum up Han’s theoretical argument, developed stage by stage in close dialogue with philosophers, aestheticians and sociologists and occupying very nearly half of the book’s 113 pages of text. (Particular attention is paid to Peter Berger, Mircea Eliade and John Milbank amongst others). Perhaps of most interest to readers of this journal, and historians of religion more generally, is Han’s engagement with recent readings of Max Weber, and with classic secularisation theory more generally. Students of secularisation have often tended to understand ‘religion’ and ‘technology’ as antipathetic: that the growth of new technologies, along with modernisation in general, has in general acted as a solvent of traditional religious belief and the organisations which support it; an assumption which has often been carried over into scholarship on religion and the Internet. Han wants to show that the two, far from being antipathetic, in fact exist in a relationship of mutual support which is ‘ontologically creative’ (p.31). Scholars of religion and the Web have in recent years themselves moved away from such an oppositional model of the religion/technology relationship, and have begun to unpick the ways in which religion and the Web mutually influence each other; Han’s work provides a welcome boost to that process.

Chapters 3 and 4 are an examination of some of the theoretical themes worked out in relation to Bright Church, a large ‘multi-site’ evangelical church which operates on several ‘campuses’ in the United States. Here Han seeks to show that the multi-site model of church – in which a single preacher’s message is simultaneously videocast to each campus – places traditional ideas of religious space into play in a new way. Han also examines the ways in which the presence of technological objects in the worship space may be read as constitutive of the message being conveyed. Chapter 4, examining both Bright Church’s own graphical user interface and its use of Facebook, is concerned with the nature of religious communality. It is in these two chapters where the weaknesses of the book show most clearly.

Although it is not Han’s main concern that it should be otherwise, his thesis of the ontologically creative nature of religion and technology is curiously ahistorical. This is a shame, since a greater engagement with the history of religion and the media has potential to strengthen his case. His reading of the design of the worship space and the technological fixtures and fittings within it is suggestive, but it could have benefitted from a greater consideration of the means by which earlier ‘technologies of religion’ – candles, music, paintings and sculpture, priestly vestments, liturgical vessels, and the movements of people and objects – have created the ‘atmosphere’ that he analyses in terms of projector screens and mixing desks. Similarly, the book’s analysis of the means by which identification is created between a worshipper and a physically distant preacher would bear some juxtaposition with scholarship on religious broadcasting on radio and television and its reception, or on the circulation of recordings of worship music from ‘celebrity’ worship leaders for use in the home.

More generally, this reader was left with the impression that, whilst Han’s theoretical framework may well be a fruitful one, it is by no means established from the empirical data presented, which is thin. Han focusses on Bright Church alone, which raises the question of how typical it may be of other churches, Christian or otherwise, with multi-site operations. Only some twelve pages of documentation of Bright Church are given, in which small space is included an observation of the worship at one of its several campuses as well as readings of associated Christian technological literature, and of the online church interface; Facebook is given a single page. Han asserts (p.62) that the experience presented at Bright Church New York may safely be taken as typical. Whilst clearly true of the presentation (since it is controlled from a Global Operations Center in Oklahoma), the experience is surely modified by the physical size and shape of the room, the number of people present, as well as by the use of local musicians. There is also little discussion here of the perceptions of the worshippers themselves, either those present in person in New York or engaging with Bright Church online, and also relatively little from those responsible for its leadership. A much deeper and wider empirical engagement would be needed to ground Han’s theoretical work than is on offer here.

These cavils aside, Han’s study presents many fertile lines of enquiry for historians of religion and the Web. It is well written, although it is often dense and heavy in its use of jargon terms and will tax those without a close acquaintance with the theoretical work with which it is in dialogue. At £90 for only 129 pages it may stretch some budgets, but once in hand it will repay attentive reading.

Paul Avis reviews Archbishop Ramsey

I’m very pleased to be able to point out another favourable review of my book on Michael Ramsey, this time from the Anglican priest and ecclesiologist Paul Avis, visiting professor in the University of Exeter. Editor of the journal Ecclesiology, Avis devotes his whole editorial for volume 12, issue 3 to the book, and Ramsey at large.

Avis’s piece is more than simply a review, and is worth reading in its own right for his remarks on Ramsey, Luther and the Cross. He also notes Ramsey’s much noted personal eccentricity, which I have suggested that this could be explained by a retrospective diagnosis of autism. However, his observations on my book are uniformly positive.

Webster’s study is marked by well-paced narrative, perceptive analysis [and] a few correctives to [Owen] Chadwick’s picture…  Altogether Ramsey emerges as an impressively capable and indeed prophetic Archbishop of Canterbury. Like the other excellent recent reappraisals of Archbishops of Canterbury […] this new study shows an Archbishop of Canterbury of greater stature, especially in this case politically, than many have previously thought. Ramsey was perhaps overall the greatest Archbishop of Canterbury of the twentieth century’

It is published by Routledge at £25 in paperback; read other reviews of it here.

The New Elizabethan Age: a review

[This review appeared in the LSE Review of Books earlier this month, and is here republished under a Creative Commons licence.]

The New Elizabethan Age. Culture, Society and National Identity after World War II.
Irene Morra and Rob Gossedge (eds).
London, I.B. Tauris, 2016.

The Britain of the late 1940s and 1950s has often languished in the historiographical shadow of its neighbours in time: the World Wars that preceded it and the sixties that followed. The popular perception of the early 1950s in particular is now of greyness and stasis: of a desperately slow recovery from the effects of the war and a return to social conformity; an in-between time without energy or direction. Only in 1963 did sex begin (it would seem), and the nation became young, swinging, forging ahead in the white heat of technological revolution.

Recent scholarship has begun to rescue this period from such caricature. The New Elizabethan Age: Culture, Society and National Identity after World War II, edited by Irene Morra and Rob Gossedge, both of Cardiff University, goes further again in cracking open the time to reveal fresh insights. Far from being culturally uniform and static, the nation that emerges is in vigorous dialogue with itself over both its past and its future. Here are chapters on Shakespeare, opera, ballet, musical theatre and film; others engage with national identities in the constituent nations of the UK; still more with British technological invention and with the persistence and usefulness of Arthurian, Byzantine and medieval themes. They are for the most part clearly written and suggestive, although some seem only to be connected with the theme in the most tenuous sense, notably the two pieces by the playwright Edward Bond, which although interesting, add little to the volume as a whole and should perhaps have been omitted.

The volume as a whole stands as a highly stimulating exploration of culture, society and national identity, as the subtitle suggests. This reviewer was left with more reservations about the overall theme of the ‘New Elizabethan Age’. As the introduction clearly shows, there was a moment associated with the coronation of Elizabeth II in which media and other commentators sought to bring the figure of the first Elizabeth into symbolic play. The ‘New Elizabethans’ were to be in continuity with their past, but also youthful, inventive, exploratory – a spirit most clearly to be seen in the arts. This was no ‘false start’ to the sixties, but rather an enduring cast of mind that deserves close attention. The instruments of this particular discourse were the media (and the BBC in particular) and the arts, as fostered by the newly founded Arts Council. The particular attention paid to the means by which this discourse was articulated is important and welcome.

That there was a ‘New Elizabethan’ discourse is therefore hard to dispute, but there is a marked centrifugal tendency among the essays not wholly overcome by the introduction. Too many of the authors seem to acknowledge the notion of the ‘New Elizabethan’ in introductory paragraphs only for it to recede to vanishing point in the body of the chapter. Not everything that occurred in the early 1950s may usefully be dubbed ‘New Elizabethan’ without emptying the concept of its meaning. Readers most interested in this particular aspect would be best served by the introduction, and Chapter One from Morra, which explore and define the New Elizabethan discourse. Also key are Paul Stevens on the historian A.L. Rowse and Powell and Pressburger’s A Canterbury Tale, Helen Phillips on literature for children and Stephen Banfield on the ambiguous music of the ‘New Elizabethan soundtrack’. Amongst the others, it becomes clear that British people in the 1950s looked all over for resources to fund their thinking and actions, including to Tudor revivals that were in fact much older, such as in music, and to several periods of the past that were not Elizabethan. For every example that might fit the template, there are counter-examples, dissensions and dissonances.

One other striking omission is the visual arts, in which the symbolic play of past and present may be observed in other contexts, and which were similarly the object of both state and private patronage, and the forces of a growing market. Of course, the editors may only include work which is available to publish, but there is yet a space open for studies of artistic representations of both the new queen and of the Tudor past in this particular period.

The New Elizabethan Age as a whole is highly suggestive and valuable, and shows well the moment in which answers to pressing questions of national identity were sought. Several of its chapters throw light on aspects of British culture seldom if ever illuminated before, and will be read with profit by cultural historians and scholars of the arts alike. However, it may be that in order to realise the full value of this collection the reader needs first to set aside the search for an essential New Elizabethanism. Read without this particular frame, the collection vividly presents a Britain seeking a means to reconcile a reverence for elements of its history while also imagining a future in fundamentally changed circumstances after World War II. While losing both an empire and any last vestiges of world leadership and adjusting to a new social settlement in the welfare state, for some the figure of the new Queen and her earlier namesake did indeed symbolise something important; for others, notably outside England, the new Queen provided little symbolic heft. Ultimately, the interest lies in the fact of the search for such meaning, rather than in any single finding.

On structuring a book

Another review of my book on Michael Ramsey appears this week, this time from Keith Robbins in the English Historical Review. It is of course a pleasure to have a review from a senior scholar such as Professor Robbins, and in a leading generalist journal such as the EHR. Robbins concludes that it is a ‘well-balanced survey’, but otherwise has few substantive criticisms to make, positive or negative.

There is one, however, which merits some further discussion here. Robbins writes:

The drawback [of the book’s thematic structure] is that it is difficult to form a sense of how, year on year, each of these topics related to each other in terms of Ramsey’s ordering of their importance and his attention. It is convenient for historians to write about ‘the state’ and ‘the nation’ in different chapters, but so many questions flow across boundaries that their separate treatment seems a little artificial.

Most historians writing a book, I suspect, will have faced the choice between adopting either a chronological structure or a thematic one. My forthcoming book on Walter Hussey adopts a hybrid method: a broadly chronological structure, with some extended analyses of contextual themes interspersed. The adoption of either approach entails gains and losses, as Robbins states. With Hussey, the chronological structure works (I think) because the story has one track: a succession of commissions of works of art for his churches.

In Ramsey’s case, there is no single narrative thread, but several that progress side by side during his time as archbishop. There are points of contact between them, to be sure, which both introduction and conclusion were intended to draw out, perhaps unsuccessfully. But year by year there is not the kind of clustering of attention that Robbins suggests there might be. Instead, there are multiple threads of political, ecumenical and legal development, each of which moves according to its own internal dynamics: fast and slow; some recently arisen and others of very long standing; bursts of activity and long pauses. If one were to order Ramsey’s career as a sequence of events, one would see legislative moves in Parliament, political events overseas, sessions of the Church Assembly, interactions with the media, meetings with the other churches, sometimes in the same week or indeed the same day. Ramsey seems to have been adept at putting disparate matters in their separate boxes in order that they might be dealt with on their own terms. But the day to day experience of the archbishop was one of a rapid succession of highly disparate matters.

Sometimes Ramsey acted on his own initiative in response to events, such as the crises in Southern Rhodesia or Vietnam. In Parliament, sometimes he was able to initiate, and at other terms react, and to try to influence. The process of internal change in the Church is one of commissions, working groups, reports, and the to-and-fro between archbishop, bishops and the periodic deliberations of the Church Assembly or General Synod. Ecumenical change was necessarily a process of both initiative and reaction in relation to other churches at home and abroad. Part of the experience of being archbishop that I wanted to show was the imbalance between the power that he was supposed by many to wield, and the reality of the constraints under which he in fact operated. His power to initiate was considerable, but at the same time more limited than many thought.

The structure of the book was an attempt to isolate some key themes in order that they might be analysed. It may well be possible to achieve the same analytic end in a more chronological way; but it would have required a better writer than me. More pragmatically, the structure of the book more closely serves the needs of most of the readers it may attract. As an author, one might fondly imagine that every reader will want to savour every page of the book, but the majority will come to it in search of material on a particular issue, as Robbins acknowledges. I had no wish to force those readers to work with the index to hew that material out.