I’ve just finished correcting the proofs of my article on the archbishops of Canterbury and the censorship of the theatre between 1909 and 1949, which is destined to appear in Studies in Church History vol. 48 this summer. It can be pre-ordered on the Boydell and Brewer site, which has a list of the contents. Re-reading it after 18 months, I’m still pleased with it, although the re-reading has suggested some new questions to pursue, about which I’ll blog another time. There’s a brief summary of the article here.
It isn’t always that themed volumes such as these that the Ecclesiastical History Society produce are so squarely in one of my areas of interest, but this one certainly is. It can be read as a companion to SCH 28 (1992), which was on ‘The Church and the Arts’ and contains several articles which remain the most recent word on their subjects. I was at the St Andrews conference that spawned the forthcoming volume, and as one of the session chairs was involved in the EHS’s normal peer review process, and am looking forward to reading the final versions of several of the papers I heard. Judith Maltby writes on Rose Macaulay, Stuart Mews on the Lady Chatterley trial, and Crawford Gribben on rapture fiction. There are also several pieces on twentieth century representations of the medieval past, by Sarah Foot and Stella Fletcher amongst others.
[Update: see a summary of the published article]