Anglican reactions to pop church music

I’m very pleased to note that the full text of the article by Ian and me on this subject, from Studies in Church History 42 (2006), is now available as part of SAS-Space. It follows the reactions of the Anglican church-musical “establishment” to the experimentation with church pop from the late fifties until the early nineties, with a particular focus on reactions to Geoffrey Beaumont’s Folk Mass.

See also an earlier post on Beaumont.