Dallas Sweetman

I note the premiere this week of this new play by Sebastian Barry, reviving the commissioning of new plays by Canterbury Cathedral. The heyday of the Canterbury plays was between 1928 and the years immediately after the war; my own article on the first of these, John Masefield’s The Coming of Christ, is forthcoming in Humanitas. The Journal of the George Bell Institute.
A preview has appeared in the Telegraph.
[October 10th: reviews in the Times, Observer, Guardian and Telegraph; overall conclusion: nice building, difficult acoustics.]

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