New article: Users, technologies, organisations – towards a cultural history of Web archiving

This article is now published, in Web 25. Histories from 25 Years of the World Wide Web, edited by Niels Brügger. It is published by Peter Lang, in hardback, paperback and ebook formats. A postprint version is available to download here.

From the Introduction:

If 2015 marked the elapse of 25 years since the birth of the web, 2016 marked the 20th anniversary of web archiving: of systematic attempts to preserve web content and make it accessible to scholars and the public. As such, the time is ripe to make an initial assessment of the history of the movement, and the patterns into which it has already fallen. This chapter represents the first attempt to document the subject at length. It concentrates on what might be termed the cultural history of the movement. It does not address the question of how web archiving has been carried out, but why, by whom, and on whose behalf.

Historians have for long known that, in order to interpret archival materials properly, it is first necessary to understand how that archive came into being. Why is a particular object to be found, and not another? What does the archive seek to document, and whose interests does it serve? The last very few years has seen a very welcome growth in interest in the archived web among scholars. However, that interest is not yet accompanied by the necessary familiarity with how the archived web came into being, and to be thus familiar is arguably even more important in this context than for traditional paper-based archives. Older distinctions with which historians are familiar — between published document, ‘grey literature’ and institutional records — have become blurred, as have those between personal and institutional publication. As a result, it has become less clear where the responsibility for preserving which types of content lies among the established institutions in the library and archives field. In addition, the archived web resource is unlike the live version from which it was derived in subtle and complex ways that do not apply to print publications or to manuscripts. If this chapter serves to orient users as to some of the questions they should be asking of their sources, and of the institutions that provide them, it will have achieved its aim.

It falls into the following sections: The Internet Archive / National libraries / The corporate record / Research-driven archiving / Activist archiving / Users and the future

A. J. Cronin’s priest

Up until now my series on clergy in British fiction has concentrated exclusively on the Church of England. There is of course no shortage of clergy of the other denominations to be found in novels of the twentieth century, and perhaps most frequently Roman Catholic. But scholars who have been interested in the ‘Catholic novel’ have tended to focus their attention on Graham Greene, or Evelyn Waugh’s Brideshead, or (a little later) David Lodge.

This is not surprising, since here are novelists of the first rank engaging with religious themes in an apparently secular time. Novels like The Heart of the Matter and The End of the Affair have entered the canon, works of art that transcend any merely moralizing or didactic purpose. However, there is another ‘Catholic novel’ of a similar time, the readership of which may well have been equal to if not greater than anything for Greene or Waugh: The Keys of the Kingdom, by A.J. Cronin, first published in 1942 by Victor Gollancz.

A. J. Cronin 1939

Cronin in 1939. Public domain, via Wikimedia Commons

Cronin is now known, if he is known at all, for the stories that became the popular television drama Dr Finlay’s Casebook in the 1970s. But his debut novel The Hatter’s Castle (1931) was sufficiently successful to allow him to give up the practice of medicine to be a full-time writer. According to Ross McKibbin, his 1937 novel The Citadel sold more copies and faster than any hardback novel of the time: Cronin was ‘perhaps the most successful novelist of the 1930s’. Rather less attention has been paid to the reception history of The Keys of the Kingdom, but it was sufficiently successful, at least in the USA, to be made into a 1944 film starring Gregory Peck. Sales in the USA passed half a million. It is perhaps among this kind of ‘middlebrow’ fiction that we might look to find the most important instruments in shaping public attitudes.

There is not space here to do justice to Father Francis Chisholm as he passes from childhood and youth in the Scottish Borders through seminary in Spain and a curacy in a stricken village in the north of England to the mission field in China. One feels that Cronin rarely captures the depth of religious experience, despite the many stylised representations of its outward signs. The reviewer from the TLS, in an otherwise positive review, thought also that ‘too many of the strong and deep emotions of a secular nature that he brings into play turn out to be cliches.’ However, there is a theme that persists, most clearly seen in the interplay of Chisholm and the other clerical characters: a contrast between his sincere religious individualism and the cramped subservience of the others to the imperatives of the institution.

The tone is set is the opening chapter, in which the decrepit Chisholm, returned from China at the age of 70 to his native parish, meets Monsignor Sleeth, flinty and fastidious, despatched by the bishop to see that Chisholm retires to the Aged Priests’ Home. Reports from among the more easily scandalised of Chisholm’s flock have reached the authorities: reports of ‘hopeless muddle’ in the conduct of the quotidian business of the parish, and of ‘dangerously peculiar’ points of doctrine in sermons (p.10). Such untidiness and irregularity are not to be tolerated. Yet Chisholm’s unaffected humility discomfits Sleeth, as does his gentle but unmistakeable rejection of the yardsticks by which Sleeth wishes to measure the worth of his work:

‘I think nothing strange from you, Father… your reputation, even before you went to China.. your whole life has been peculiar!
‘I shall render an account of my life to God.’

Cronin’s critique of the institutional church is all the more the effective for being delivered by one whose obedience to the institution is so complete.

The bishop, of course, is Anselm Mealy, a childhood contemporary of Chisholm from Tweedside. Mealy was the pious child that Chisholm and his friends teased and tormented, and it is in the parallel careers of the two that Cronin makes his case. As Chisholm endures material hardship and periodic calamity in China, the pink and bumptious Mealy eases into the highest circles of society and the wider machinery of the Church. As Chisholm encounters plague, civil war and torture, Mealy monitors the numbers of conversions on charts on his wall, and finds Chisholm wanting. On Chisholm’s return (part V) the two meet, as bishop and priest, the haggard and indeed injured Chisholm is set beside the fleshy and suave bishop, with his balanced diet and Swedish masseur. Just as Mealy refused Chisholm more resources while in China, he now baulks at honouring a promise of his predecessor to give Chisholm a parish when he returned. It is in the shadow of Mealy’s new cathedral, a million pounds spent in the building, that Chisholm is left to contemplate his apparent failure as Mealy is swept away in a fleet of limousines to a civic function: ‘the old priest had a vision of a purple face beneath a beaver hat, of more faces, hard and bloated, of miniver, gold chains of office.’ In The Keys of the Kingdom Cronin exposes the venality and worldliness of the institution as effectively as The Citadel had for the medical profession.

There is of course no shortage of novels in which odious clergy characters are a means of discrediting Christianity as a system of belief, such as in the case of Robert Tressell.  A Catholic himself, this is not Cronin’s purpose. Instead, Chisholm stands as an exemplar of a certain way of living religiously: ethical heroism and individual integrity accompanied by a theological reticence and an unwillingness to dogmatise. Ready to risk his life for the safety of others, and to deny himself to an extreme, our hero is nonetheless unwilling to make a window into men’s souls. In the same scene, Sleeth says:

‘Your notion of God is a strange one.’
‘Which of us has any notion of God?’ Father Chisholm smiled. ‘Our word “God” is a human word.. expressing reverence of our Creator. If we have that reverence, we shall see God… never fear.’
‘You seem to have a very slight regard for Holy Church.
‘On the contrary.. all my life I have rejoiced to feel her arms about me. The Church is our great mother, leading us forward… a band of pilgrims through the night. But perhaps there are other mothers. And perhaps even some poor solitary pilgrims who stumble home alone.’

So far I know of no research on Cronin’s reputation and the ways in which his work was read and understood. But The Keys of the Kingdom is a story of courage and integrity in extreme situations combined with a tenacious and costly commitment to one’s own faith that does not deprecate others. It is likely to have found many English readers in wartime conditions.


‘A.J. Cronin, author of “Citadel” and “Keys of the Kingdom” dies’, New York Times, 10 January 1981
R.D. Charques, ‘Saint’s Progress [review]’, Times Literary Supplement, 2 May 1942, p.221.
Ross McKibbin, ‘Politics and the Medical Hero: A.J. Cronin’s The Citadel‘, English Historical Review 123 (n.502), 2008, 651-78

What is Anglicanism? A review essay

[This is an extended version of a review that appeared in Reading Religion, the review journal of the American Academy of Religion.]

Mark D. Chapman, Sathianathan Clarke, Martyn Percy (eds)
The Oxford Handbook of Anglican Studies
Oxford, OUP, 2016
Hardback, xiv + 657 pp

As the editors of The Oxford Handbook of Anglican Studies point out, the Anglican churches can draw on none of the kinds of criteria by which other Christian churches define themselves. In the case of Roman Catholicism, the model is juridical, the product of the authority of an institution; for Lutherans, it is confessional, the adoption of certain key statements of doctrine; for Baptists, it is sacramental practice. As a result, many studies such as those by Wolf, Booty and Thomas (1982), or Sykes and Booty (1988) have circled around the issue of how else Anglicanism may be defined.

The discipline of Anglican Studies has only been named in the last two decades, however, and at a time when the tensions within the Anglican Communion have reached a particular pitch. Launching the new Journal of Anglican Studies in 2003, Bruce Kaye (also a contributor here) wrote of ‘the challenge of construing the connecting profile of Anglicanism in its global form’, as parts of the Communion looked for solutions in global organizations within the existing structure predicated on particular convictions about theology and practice. These divisions came to a head at (or perhaps alongside) the Lambeth Conference of 2008, when a body of bishops absented themselves to meet separately in Jerusalem; so significant were the tensions, in fact, that the editors questioned the very viability of the Handbook (15). It is a cause for celebration that they persisted. Taken together, the 44 essays presented here are a rich and suggestive meditation on the past, present and likely futures of Anglicanism, and will be read with profit by scholar and non-specialist reader alike.

One of the signal virtues of the volume is its global scope. In 1988, all but one of the contributors to Sykes and Booty’s The Study of Anglicanism were from the British Isles or North America (the last being based in Switzerland); here, while the balance is still tipped in that direction, there is weighty representation from Africa, Australasia and Asia. Almost every contribution is at some level concerned with the legacy of establishment in England or the complex renegotiation required elsewhere in a post-colonial context. There are some omissions, however, most strikingly of the Anglican experience in Scotland, Ireland and Wales, two of which were churches that were first established and then disestablished: a perspective which it would have been valuable to hear.

Editors of volumes such as this are often hard put to create a structure that neatly compartmentalises the issues at hand, and this is no exception. Whilst the seven sections (on historiographies, methods and styles, contextualisation, identities, controversies, practices, and futures) provide some orientation, readers seeking the Anglican view of (say) the interpretation of the Bible will find work of interest in each of the sections and not simply the chapters by Gerald O. West and A. Katharine Grieb, the titles of which address the issue directly. A small but significant group of authors have not helped the editors in the task of achieving coherence by writing chapters that are not so much synoptic surveys of a particular topic as new work on a particular aspect of it: fine work in some cases, but an uncomfortable fit with the purposes of the volume. Others allow their focus on Anglicanism to waver, and needed a firmer editorial hand. Few readers will wish to read the volume from beginning to end (as this reviewer did), an experience which induces a sense of a continual and at times slightly fretful circling around the same two issues: past and present identity, and the prospects for unity.

Might that unity be found by means to a recourse to a shared history? The editors rightly place a fine essay by Alec Ryrie at the very beginning, in which many of the misreadings of the sixteenth century history of the Church of England are neatly dissected. The formation of ‘Anglicanism’, as a distinctive set of attitudes and theological methods, dates from a hundred years after the foundation of the Church of England, in which process figures such as Richard Hooker – marginal in his day – were moved to the centre, and figures such as William Perkins or Thomas Cartwright were marginalised despite being highly influential at the time. (That some readers may need to look these two figures up is an indication of how occluded they have become; neither appears anywhere else in this volume, and Perkins is re-christened Thomas in the index). Evangelicals and Anglo-Catholics have disagreed profoundly over the early years of the Church of England, which makes the appeal to a normative past a problematic one to make.

Take for instance the issue of episcopacy. Ryrie again shows that although the Church of England was founded as an episcopal church, views differed widely as to the precise importance of the fact. Was episcopacy of the essence of the church, without which it could not exist (the position which several Anglo-Catholics have taken)? It was this principle that derailed the single most significant ecumenical scheme of the twentieth century in England, to reunify Anglicans and Methodists. Or, was episcopacy merely a convenient model of organisation, symbolically useful even, but something without which under different circumstances the Church might live? Chapters from Mark Chapman on missionary bishops, Kevin Ward on mission and Robert Bruce Mullin on the church in colonial America all show that, as a matter of historical fact, Anglicans have at times managed quite well without a fully fledged episcopal system. But other chapters make what is a common rhetorical slide from the historical to the normative, in this as in other matters. To paraphrase: ‘many Anglicans in the past have done some particular thing, and I (for reasons of theology) think that was right; these others who now do not do this are therefore not fully Anglican.’

Anglicans, then, have needed to look elsewhere for means of defining themselves, which have tended to cluster around elements of practice and habits of mind. The editors list a few of them: ‘hymns, poetry, prose, theology and spirituality’ (9-10), a ‘distinctive ethos’ which matches the many older attempts to find the ‘spirit’ of Anglicanism. Three chapters address these directly: Ann Loades on spirituality, Phyllis Tickle on prayer and the late Kenneth Stevenson (former bishop of Portsmouth) on aesthetics. Loades is detailed where Stevenson is allusive, but this reader emerges with a sense that Anglicans at certain times and places have indeed produced distinctive spiritual theology, hymnody and liturgy, but that these are weak markers of identity and of little use as instruments of unity. It is hard to avoid the impression that the search for identity in these places risks merely reifying the tastes and habits of mind of educated western Anglophones.

Anglicans have of course for a long time focussed on the ‘holy trinity’ of scripture, reason and tradition: a kind of self-definition by method. Formed of urgent necessity during the Reformation as a way of carving out space between the overweening pretensions of Rome and the bracing scripturalism of Geneva, in times of lesser pressure it became a rather more comforting formulation. Socially and economically secure as the established church of an imperial nation, it was relatively easy to rest on the idea of the Anglican via media, the essential moderateness of the English religious temperament. But the existential challenges to the very existence of the Communion in the last decade have caused this focus on theological approach to take on a rather darker tone. The question might be put: whose reason? Whose tradition? Whose reading of Scripture? As these questions have become harder to answer in a global context, the distinctive Anglican way of doing church has taken on a less confident and rather more provisional aspect.

Two aspects of this move are visible in the essays by Marion Grau and Jenny Gaffin. For Grau, Anglicanism as it has been transferred from England into colonial contexts can be thought of as a modus operandi, a rather accidental kind of pragmatism that over time became elevated to a virtue (177-8). Inculturation, the process by which theology and practice are inflected by local context, is made possible by a reliance on ‘a prevenient grace [and] an anthropology and ecclesiology that trusts in the residing of Spirit and Divinity within human existence’ (181). God has given His people sufficient resources with which to chart their path, and the action of God and his Spirit will not in the last instance allow the church to founder. Balancing this optimism is a line of thought that connects Gaffin to some of the recent work of Rowan Williams and (further back) to the Michael Ramsey of The Gospel and the Catholic Church (quoted by the editors in their introduction). The witness of Anglicanism is in pointing away from itself towards the larger church of which it is but a fragment: in Ramsey’s words ‘its credentials are its incompleteness, with the tension and travail of its soul. It is clumsy and untidy, it baffles neatness and logic.’ Its very brokenness is its witness.(14) In an age which values competence and ‘message discipline’, and seizes on weakness and holds it up to ridicule, the state of the Anglican Communion is both an affront and a challenge. Perhaps in the final instance the Communion is held together by a sense of a shared past, and an act of the will – a choice that must constantly be made anew – to continue together. The editors and contributors of this stimulating and fascinating handbook have given us a resource to help in the task of studying Anglicanism as its adherents have made and continue to make that choice. Though the price may stretch the budgets of private readers, no serious library for theology or history should be without it.

Technologies of Religion: a review

[The version of record of this review appeared in the journal Internet Histories  ]

Sam Han
Technologies of religion. Spheres of the sacred in a post-secular modernity
Abingdon, Routledge, 2016

Technologies of Religion, by Sam Han of the Nanyang Technological University in Singapore, offers both more and less than the description from its publisher would appear to indicate. Its main impact is as a work of critical social theory, and specifically concerning the cosmogonical, or ‘world-making’ qualities of contemporary religion as it meets new (and in particular, digital) technologies. Han is concerned to show that new technologies and religion come together to form ‘spheres’ (or ‘worlds’), that no longer correspond to the categories of the classical sociology of religion as associated with Durkheim or Max Weber. Gone is much of the stability and hierarchical longevity associated with authoritative institutions; Han’s spheres are in constant flux, unbounded, networked. These ‘modular assemblages’ have a kind of promiscuity, as different worlds or spheres form network connections with others, across which certain elements (traditionally separate) may ‘resonate’ according to their ‘affinities’ (p.30).

In a short review it is difficult to fully sum up Han’s theoretical argument, developed stage by stage in close dialogue with philosophers, aestheticians and sociologists and occupying very nearly half of the book’s 113 pages of text. (Particular attention is paid to Peter Berger, Mircea Eliade and John Milbank amongst others). Perhaps of most interest to readers of this journal, and historians of religion more generally, is Han’s engagement with recent readings of Max Weber, and with classic secularisation theory more generally. Students of secularisation have often tended to understand ‘religion’ and ‘technology’ as antipathetic: that the growth of new technologies, along with modernisation in general, has in general acted as a solvent of traditional religious belief and the organisations which support it; an assumption which has often been carried over into scholarship on religion and the Internet. Han wants to show that the two, far from being antipathetic, in fact exist in a relationship of mutual support which is ‘ontologically creative’ (p.31). Scholars of religion and the Web have in recent years themselves moved away from such an oppositional model of the religion/technology relationship, and have begun to unpick the ways in which religion and the Web mutually influence each other; Han’s work provides a welcome boost to that process.

Chapters 3 and 4 are an examination of some of the theoretical themes worked out in relation to Bright Church, a large ‘multi-site’ evangelical church which operates on several ‘campuses’ in the United States. Here Han seeks to show that the multi-site model of church – in which a single preacher’s message is simultaneously videocast to each campus – places traditional ideas of religious space into play in a new way. Han also examines the ways in which the presence of technological objects in the worship space may be read as constitutive of the message being conveyed. Chapter 4, examining both Bright Church’s own graphical user interface and its use of Facebook, is concerned with the nature of religious communality. It is in these two chapters where the weaknesses of the book show most clearly.

Although it is not Han’s main concern that it should be otherwise, his thesis of the ontologically creative nature of religion and technology is curiously ahistorical. This is a shame, since a greater engagement with the history of religion and the media has potential to strengthen his case. His reading of the design of the worship space and the technological fixtures and fittings within it is suggestive, but it could have benefitted from a greater consideration of the means by which earlier ‘technologies of religion’ – candles, music, paintings and sculpture, priestly vestments, liturgical vessels, and the movements of people and objects – have created the ‘atmosphere’ that he analyses in terms of projector screens and mixing desks. Similarly, the book’s analysis of the means by which identification is created between a worshipper and a physically distant preacher would bear some juxtaposition with scholarship on religious broadcasting on radio and television and its reception, or on the circulation of recordings of worship music from ‘celebrity’ worship leaders for use in the home.

More generally, this reader was left with the impression that, whilst Han’s theoretical framework may well be a fruitful one, it is by no means established from the empirical data presented, which is thin. Han focusses on Bright Church alone, which raises the question of how typical it may be of other churches, Christian or otherwise, with multi-site operations. Only some twelve pages of documentation of Bright Church are given, in which small space is included an observation of the worship at one of its several campuses as well as readings of associated Christian technological literature, and of the online church interface; Facebook is given a single page. Han asserts (p.62) that the experience presented at Bright Church New York may safely be taken as typical. Whilst clearly true of the presentation (since it is controlled from a Global Operations Center in Oklahoma), the experience is surely modified by the physical size and shape of the room, the number of people present, as well as by the use of local musicians. There is also little discussion here of the perceptions of the worshippers themselves, either those present in person in New York or engaging with Bright Church online, and also relatively little from those responsible for its leadership. A much deeper and wider empirical engagement would be needed to ground Han’s theoretical work than is on offer here.

These cavils aside, Han’s study presents many fertile lines of enquiry for historians of religion and the Web. It is well written, although it is often dense and heavy in its use of jargon terms and will tax those without a close acquaintance with the theoretical work with which it is in dialogue. At £90 for only 129 pages it may stretch some budgets, but once in hand it will repay attentive reading.

New sources in Lambeth Palace Library

The Lambeth Palace Library annual review for 2016 details its new accessions and completed cataloguing, and as in previous years I pull out some highlights for the period since 1945. They include:

(i) amongst the papers of the archbishops, recently catalogued are papers from a series of meetings of the primates of the worldwide Anglican Communion, from 1981 (Washington, D.C), 1983 (Nairobi), 1986 (Toronto), Cyprus in 1989 and in Northern Ireland in 1991. There are also four meetings of the Anglican Consultative Council included in the series. Given the stresses in the Communion that have emerged into plain view in the 1990s and since, these papers will be key to understanding the pre-history of those disputes.

(ii) also catalogued are papers from the second phase of the Anglican-Roman Catholic International Commission (ARCIC) beginning in 1983, as are papers for the Roman Catholic section of the Council on Foreign Relations;

(iii) the CFR papers relating to the Russian Orthodox church are now also catalogued, covering the period from 1931 to 1981;

(iii) as a biographer, also of particular interest to me is a file of correspondence between Robert Runcie and the author of a rather indiscreet biography of him, Humphrey Carpenter; the book caused a minor sensation, much to Runcie’s discomfort.

(v) scholars of Anglican evangelicalism will be very grateful to see the completed cataloguing of the papers of Michael Harper, ecumenist and leading figure in the charismatic movement. The papers extend from 1961 to 2003.

They may all be found through the Library’s archive catalogue.

Reflections on Web Archiving Week 2017

Once in a while, the unplanned turns out to be as good if not better than the planned. It had not been the intention that the annual Web Archiving Conference of the IIPC should be combined with the second conference of ReSAW (the Research Infrastructure for the Study of Archived Web Materials). However, they came together in London last week, with intriguing results.

One of the great pleasures of the event is the diversity of both speakers and delegates: the institutions represented by the IIPC were there in strength, but also present were the largest assemblage of researchers I have yet seen. These include not only people from computer science and related fields – a group that has been engaged in this space for a while – but also an enlarged contingent of scholars of media and communications and several of the humanities disciplines. At the Archives Unleashed datathon on Monday and Tuesday there was a particularly creative meeting of scholars, technologists and archivists – the crucial nexus of relationships for making successful tools and services. The whole week was marked (for me) by a refreshing openness to the perspectives of others, a frankness about difference, and a collegiality without hierarchy which (if it can be sustained) bodes very well for the future.

If I compare this discussions last week with those in this community perhaps three or four years ago, a number of differences stand out. As I’ve tried to show in my short history of Web archiving, direct engagement between archiving institutions and researchers came relatively late in that twenty year history, and even four years ago there was still a sense that researcher engagement was still only very exploratory. We now seem to have reached the stage where substantial attention is being paid to understanding the needs of users as a preliminary step to developing new tools and services (of which there were also many exciting examples). Here I’m bound to mention the research study that I (as Webster Research and Consulting) carried out for the Parliamentary Archives, which Chris Fryer and I presented, but I also have in mind papers on citation practice (Nyvang et al), the research data management issues involved (Zierau and Jurik), and what users need to know about the materials they use (ie. what to do about descriptive metadata), a theme taken up variously by Bingham, Dooley et al, Maemura et al. The variety of different use cases both discussed in the abstract and demonstrated in concrete reminded me of how varied the user base for web archives is (or could be) and how much we need as fine-grained an understanding of those different users as possible. As Ben Steinberg of Harvard noted ‘How we [ie. the providers of services] think archives should or could be used may not be as pertinent as we imagine…’

Another theme for researchers that surfaced several times at the first ReSAW conference in Aarhus two years ago was the need to understand the offline as context for the online. In Aarhus the particular point was about the need for oral history and for analysis of print and manuscript sources to understand how web materials make it online to begin with, and the theme was taken up last week by Federico Nanni and (in passing) by Gareth Millward and Richard Deswarte. There were also reminders here that a full history of the Web will need to take account of the history of computing more generally (Baker and Geiringer), the interaction between the Web proper and other content delivered online, notably social media (Castex, Schafer et al, Day Thomson), as well as the wider social and intellectual context in which the Web is embedded (Schroeder, and my own paper on the religious language of the Web) .

What of the future? Delegates who followed the same tracks as me may have come away with a sense of the diversity of analytic approaches to the study of the Web, and impressed with the depth at which scholars are now seeking to understand the methodological challenges they face. The aim, however, must be to build on this reflection to a point at which the Web archive becomes simply one type of scholarly source amongst many in the production of substantive scholarly insight on history, sociology or literature as Gareth Millward noted. I look forward to the day when I can go to mainstream historical conferences and hear contemporary history written using the archived Web.

There is also, I think, a challenge to the community at large in navigating a path through the diversity of new technical development and analytical need on display here, to decide which elements best serve users in particular situations, and so should brought forward and made part of ‘business as usual’ operations. Some will be incorporated by web archives themselves, others maintained by communities of interested scholars, others probably commercialised. The IIPC has a part to play here, while remembering that a significant part of this new thinking is taking place outside the membership. At least one person on Twitter thought a combined conference like this was worth repeating, and it would certainly be a way of developing the listening process between archives, users and developers that is required.

Finally: I celebrated the diversity of the conference when viewed in terms of professional background, but in another sense there is still much to do in terms of geography. I counted some 17 or 18 nationalities represented here, a joyous thing in a fragmenting world, but nonetheless overwhelmingly from Europe and north America. The archiving and study of the Web, a global medium, still remains dominated by certain countries.

My thanks are due to all those involved in organising such an excellent event: Jane Winters as host at the School of Advanced Study (University of London), and Olga Holownia of the IIPC and my former colleagues at the British Library which also contributed most significantly. It was my pleasure to be a part of both the IIPC and the ReSAW programme committee, and to hear such a fine set of papers.


Barbara Pym’s priests

So far in my series on the Anglican clergy in British fiction, we have encountered just one clergyman in each novel, or two at the most; in Barbara Pym’s Some Tame Gazelle (published in 1950 but substantially complete by 1936), there are no fewer than four, two of which at least take a substantial part in the narrative as a whole. Set in an unnamed English village, it is the Archdeacon, Henry Hoccleve who features most prominently. The Archdeacon in different hands could have been an entirely unsympathetic character: cantankerous, vain, condescending and inhospitable to guests and parishioners alike. Like many clergy a devotee of poetry, he was susceptible to a literary allusion ‘and was delighted, in the way children and scholars sometimes are, if it was one that the majority of his parishioners did not understand.’ He is only saved from monstrosity by the subtle puncturing of his pomposity that Pym administers at every turn, and the unrequited devotion of years of Miss Belinda Bede, the spinster who, with her sister Harriet, are the heart of the book. (More than one writer has suggested that Belinda and Harriet are Pym’s imagining of her sister and herself in later life.) Even then, Belinda in a moment of reflection notes that ‘he had very few of the obvious virtues that one somehow expected of one’s parish priest’ (chapter 1) There is, however, more to dear Henry than mere social conformity and protectiveness of his status, as we see him contemplating mortality amongst the gravestones in the churchyard. For all its subtle criticism of the gap between expectation and reality in Hoccleve’s ministry, Pym’s portrayal has none of the hostility of that of Robert Tressell. .

The three other clergymen have less fictive work to do but are still better developed than many stock characters. Mr Donne the new curate is blank and pale and, though often present, makes little impression. Father Edward Plowman is the rather ‘Romish’ rector of the neighbouring parish: he wears a biretta, uses incense, and dislikes the Archdeacon as much as he is disliked in turn. Harriet, though, would rather like to attend his church if it were not so far to walk, since he preaches sermons that people can understand, and is ‘such a fine-looking man too, like Cardinal Newman’ (chapter 2) This competitive churchmanship recalls Orwell’s A Clergyman’s Daughter, written at a similar time.

Rather more of a rarity is Theo Grote, the colonial archbishop of Mbawawa, no longer the beautiful willowy curate that Belinda had known as a student, who is accommodated at the vicarage in as uncomfortable a fashion as the archdeacon can decently arrange. The novel predates both the growing to independence of the Anglican provinces in Africa and the growth of any real knowledge of the colonial churches amongst lay Anglicans in England, and so the bishop regales the parish with lantern slides of his flock and their curious dress and customs (chapter 16). Also rather rare in English fiction is the set piece in chapter 18 where all four men are at supper at the vicarage, in which one of Pym’s most devastating criticisms is delivered in characteristically oblique way.

‘Miss Aspinall was radiant .. glittering with beads and chains and agreeing rapturously with everything that everybody said. This was rather difficult with four clergymen present, as with the exception of the curate who hardly ventured an opinion on anything, they tended to disagree with each other wherever they could…. It was such a pity, Belinda reflected, that clergymen were so apt to bring out the worst in each other… as a species they did not get on, and being in a small country village made things even more difficult. These embarrassments would not arise in London where the clergy kept themselves to themselves in their own little sets, High, Broad and Low, as it were.’

A neater skewering of the partisan spirit in the inter-war Church of England I have yet to find.

After having tried several publishers, Pym succeeded in having this, her first novel, published by Jonathan Cape in 1950. It was the first of six in a similar vein before she was unceremoniously cut adrift by Cape, after which she could find no publisher until the late 1970s. The ODNB puts this abrupt descent into obscurity down to an increased appetite for fashionability (and thus profitability) at Cape under editor Tom Maschler. It may be that part of this unfashionability was the volatile mood of English Christianity in the early 1960s, in which such delicate miniatures, celebrations of the stasis of English village life, were increasingly out of place. Iris Murdoch’s atheist priest in The Time of the Angels was perhaps a closer reflection of the crisis of confidence into which the Church of England had talked itself. Pym’s portrait is also from the inside, a portrait of the Church of England by one who loved it as Belinda loved the Archdeacon. A reception history of Pym might well show that over time, fewer and fewer writers and readers could receive a book like Some Tame Gazelle, imaginatively complete in the 1930s, as a reflection of their own social reality; the vogue that Pym belatedly experienced after 1977 was surely in a different, more distanced mode. (For just such a recovery of the rural religion of the 1930s and 1940s as emblematic of a lost world, see John Fowles’ Daniel Martin.)